Food is the engine of
metaphorical meanings that spread throughout people’s life regardless of region
and ethnics. We associated tomatoes with sin; olives can draw an equals sign
with peace; noodles implicitly refer to longevity. Indeed, food can be seen as metaphors
of religion, gender, family, local and national identity, and even social
hierarchy (Lévi-Strauss, 489). We should not underestimate the significance of cultural
metaphors of food due to the reason that they not only guide people’s food
choices but also change people’s diet experience. According to Lakoff and
Johnson, “the essence of metaphor is understanding and experiencing one kind of
thing in terms of another” (125). It means that metaphors are not only a form
of language, but also a style of human’s perception. The linguistic expressions
of food and eating, whether foods are used for creating metaphors or becoming
the target of metaphors, are reflecting cultures (126). In this essay, I will
analyze how food metaphors have influenced the way we eat today.
We first consider how belief influences
people’s food choices. Foods are inextricably linked to religion even in the
context of a crisis of faith. The metaphors of food in different religions
often refer to purity, self-discipline, and sacrifice. For instance, Kashruth,
the diet rules of the Jewish, is strictly distinguishes between dairy products
and meats. It prohibits followers to eat pork, shellfish, reptiles, and
amphibians. Based on the study of Mary Douglass, changes in diet are a
prerequisite to observe and adapt the orders of the natural world to the Jews
(7). The food metaphors in Jewish are obedience and order. The other example of
food as a metaphor for religion is that some Muslims do not eat pork because
the Holy Quran points out that pork is an unclean food, which is contrary to
mental purity. Moreover, food implicitly refers to the balance of physical,
mental, and spiritual in the Hindu belief system. From bean soup, vegetarian
dishes, meat, fish, to golden flowers, there are more than 20 types of sauce
constitute to the curry powder. The religious metaphors of food influences
people’s food choices through indicating what kinds of ingredients can be used
and what kinds of foods should be neglected in daily life.
Similarly, when we consider
food as a metaphor for gender, we see a great contrast between men and women
upon their food choices. For instance, Korthals mentions the words of the song
“Sugar, Sugar,” in his journal article, Food
as a Source and Target of Metaphors: Inclusion and Exclusion of Foodstuffs and
Persons through Metaphors, to explain the gender metaphor of food.
Sugar, ah honey honey
You are my candy girl
And you’ve got me
wanting you.
Korthals states that “sugar” is linked to women whereas “beefy” is
associated with men in the United States (81). There are also other sayings like
“real men don’t eat quiche,” “the man bring home the bacon,” “the man is a
small potato,” “the man is meat and potato.” In contrast to women trends to eat
more sweets, men become more likely to eat meats and reject to eat quiche. The
gender metaphors of food influence people through building different taste
preferences. In the choice of some food, people will become careful due to the
gender description of the sayings or lyrics.
When our eyes transfer away from the
trans-national religious belief and gender difference to a specific country or
region, it is interesting to notice food can be seen as a metaphor of a group
identity. According to O’donnell’s article, The
Cultural Politics of Eating in Shenzhen, food can be used to differentiate
people within regions and generations in China. For instance, the southern and
the northern parts of China show very different eating habits. People in south
areas like to eat rice, whereas people in north areas prefer to eat noodles. When
the lens focuses on Shenzhen, the story of Zhang Tao and his mother is a good
example to indicate food as a metaphor of group identity. The old Shenzhener,
Zhang Tao’s mother, always like to eat food she used to eat in the tough time,
whereas Zhang Tao, the new Shenzhener choose to try different cuisines from all
over the world. To most old Shenzheners, food embodies the meaning of
nostalgia. Even though the elderly and the youth living in the same community,
food becomes a sign to differentiate their generations, or the time of growing
up. Food is an obvious label to define different regions and generations in
China. Food, thus, becomes a metaphor to show the cultural resistance. Just like
the British call themselves as “beef-eaters” whereas the Japanese call
themselves as “rice-eaters.” Americans use “the cream of the crop” to describe
talented person and “wake up and smell the coffee” to appeal people to cheer
up. People use food to define themselves and differentiate with others, proving
that food is a metaphor of group identity. In this case, food metaphor decides what
we eat the most.
The story of Zhang Tao and
his mother asks me to recall my own experience. To me, food, or more
specifically, hot pot, is the metaphor of family love and friendship
solidarity. A pot of hot water is tasteless and bland thus you can decide
whatever ingredients you like. My mom used to ask me to select the ingredients,
no matter what I choose, she tells me I must take them seriously and
passionately. I would be pleasure to try different flavors of hot pot, spicy, a
clear soup, a mushroom soup, and tomato’s flavor and I firmly believe that to put
different flavors in the hot pot is an epitome as I choose to study abroad,
experiencing the cultural shock. I also insist the grand pot must be made of
ceramic, like I must to use the finest components to complete my art project.
However, I did not know
that the way my mom taught me to cook hot pot embodies her love for me. I even
did not realize the moment whenever we sit around and eat hot pot together is
the great happiness in my life until I had the first Spring Festival in the
United States. I had to prepare for two midterm exams and I did not know a lot
of Chinese people in Denver. I felt lonely until a not very familiar friend
invited me to eat hot pot at his dorm. Indeed, a grand hot pot also means
friendship and acceptance. I was acquainted with my best friend in Denver
during the time we waited for our food. The metaphor of hot pot has enriched my
life experience and the pleasure of eating hot pot becomes a metaphor for
family and friendship relationship in my mind. I wanted to eat mom’s cuisine
and buy all materials I need. She taught me how to cook step by step in Skype,
but it was still missing some flavors. I guess what I lost is the taste of
home. We always link homely dish to homesickness and link chocolate to lover. The
food metaphor can create an emotional bond towards to family and friendship, making
us fall in love with a specific food taste.
However, it is hard to
expose that what you eat at home and what you eat with your friends symbolize
your class and status. It is true that life is an entity of all sided of food,
sour, sweet, bitter, and spicy constitutes the real taste of life and even the
society. Eating foie gras and drinking Champagne are luxury lifestyle
associated with the upper classes in America and Europe. However, the caste
system in India determines that pariahs could not eat the same meal as the
higher Hindu caste (Guru 9). Freedman and Jurafsky make a more in-depth
research on a specific food in their journal article, “Authenticity in America:
Class Distinctions in Potato Chip Advertising.” They compare nine brands potato
chips and get a conclusion that food packing and food advertising reflect
different consumer insights, in terms of education, health, user experience,
and consumption level (5-10). For instance, they analyze linguistic complexity of
inexpensive chips (56; about eighth grad level) and expensive chips (48; about
tenth to eleventh grade level), which shows that expensive chips always use
more complex and longer words than inexpensive chips. Expensive chips always
highlight health in their packaging, in contrast to the less complex language
using in inexpensive chips advertising (4).
In comparison, chocolate
advertising, such as M&M’s, Ferrero Rocher, and Godiva, shows the same
methodology of metaphors towards to social hierarchy. In M&M’s 2013
commercial “Love Ballad,” the Red chocolate candy is frustrated to play the
piano and tell stories about his unrequited love. “He” would like to do all
things for her but “he” could not accept that she only sees him as a chocolate
candy. Chocolate candy has been given an independent personality, such as
angry, sad, and happy. M&M’s is not only your snack, but also your
playmate. If you buy M&M’s for yourself at home as a playmate, the
advertising of Ferrero Rocher will tell you that they are the best status
symbol to entertain friends at party. Their commercial, “The History of Gold,”
introduces the professional making process of Ferrero Rocher and define
themselves as to “celebrate golden moment.” In contrast, as a representative of
luxury chocolates, Godiva targets directly to high consumption population in
their advertising, “Godiva Chocolatier One Minute Commercial,” showed in 2010
New York Film Academy. It has an excellent consumer insight that women’s love
for chocolate is much larger than men’s love. Thus, Godiva tells men that no
matter in a palace or in a village, a fine box of Godiva chocolate is the best
surprise and allure for her to show your love. To conclude, the moral of food
and food choices symbolize people’s social hierarchy and determine people’s
eating quality.
A Chinese Philosopher
Lao Tzu once said in Tao Te Ching, "Governing a great nation is much like
cooking a small fish"(para.60). It means that governing a country required
the right "seasonings" and adjustments for successful results. This
metaphor clearly illustrates the significance of food in Chinese culture. I
have been thinking about what role food has played in people’s life and in
different culture, whether important or casually. The essay focuses on the
cultural metaphors of food, in terms of religion, gender, family, local and
national identity, and social hierarchy. These terms help us to define what we
eat and what we should not eat, which tastes we prefer and that foods create
special emotional appeal, and they even determine people’s food habit and
quality. More importantly, a common point we should not ignore is that culture
guides people’s choice of food, and what we choose to eat defines who we are.
Work Cited
Douglas, Mary. Purity
and Danger: An Analysis of Concepts of Pollution and Taboo.
London: Routedge and
Kegan Paul, 1966. Print.
Freedman, Joshua, and Dan
Jurafsky. “ Authenticity in America: Class Distinctions in
Potato
Chip Advertising.” The Journal of Food and Culture, Vol. 11, No. 4
(Winter
2011), pp. 46-54. Print.
Guru, Gopal. Food
As a Metaphor for Cultural Hierarchies. Philadelphia: University
of Pennsylvania, summer
2009. Print.
Korthals, Michiel. Food as a
Source and Target of Metaphors: Inclusion and
Exclusion
of Foodstuffs and Persons through Metaphors. The
Johns Hopkins
University Press and Society for Literature
and Science, 2008:16:77-92. Print.
Lakoff, George, and Mark Johnson. Metaphors We Live
By. Chicago: University of
Chicago Press, 1980.
Print.
LaoTzu, and Stephen Mitchell. Tao Te Ching: A
New English Version. New York:
Harper & Row, 1988.
Print.
Lévi-Strauss, Claude. The Raw and the Cooked. New
York: Harper&Row, 1969.
Print.
O’donnell, Mary Ann. “The Cultural Politics of Eating in Shenzhen.”
The Journal of
Food and Culture, Vol.
10, No. 2 (Spring 2010), pp. 31-39.Print.
Hi,
ReplyDeleteDid you cite Levi-Strauss' definition of food at the evry beginning of the text, or consult it? I could not see any quotation mark at the first 3 sentences.